Freedom of Expression and Edinburgh, 2015
THE BIGGEST threat to freedom of expression in Britain today is not the shadow of the law, but whispers behind the scenes. Not the courtroom so much as a slippery excuse from someone in authority that says, I’m so sorry but we can’t put this on, because of this or that or the other dog-ate-my-homework reason. The fear of protests; the wrong kind of attention, a storm on social media. Trouble with the venue, the risk assessor, the insurance adviser, the head of college. These nebulous fears are recast politely as “it doesn’t quite fit in with our programme this year,’ or ‘ we don’t think it will sell enough tickets”, or “I’m sorry, we are already full.”
This was what I argued when, at the Edinburgh Fringe this year, I took part in a panel discussion after a show about the tension between art and politics, inspired by a trio of called-off productions in 2014, called “Walking the Tightrope” staged by Underbelly Productions.